The SAGE Handbook of Popular Music

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The SAGE Handbook of Popular Music

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Review

The Sage Handbook of Popular Music is a comprehensive, smartly-conceived volume that can take its place as the new standard textbook in popular music.  The editors have shown great care in covering classic debates while moving the field into new, exciting areas of scholarship.  International in its focus and pleasantly

Estimated delivery by 2020/10/26

Description

Review

The Sage Handbook of Popular Music is a comprehensive, smartly-conceived volume that can take its place as the new standard textbook in popular music.  The editors have shown great care in covering classic debates while moving the field into new, exciting areas of scholarship.  International in its focus and pleasantly wide-ranging across historical periods, the Handbook is accessible to students but full of material of interest to those teaching and researching in the field. (Will Straw)Celebrating the maturation of popular music studies and recognizing the immense changes that have recently taken place in the conditions of popular music production, the Sage Handbook of Popular Music features contributions from many of the leading scholars in the field. Every chapter is well defined and to the point, with bibliographies that capture the history of the field. Authoritative, expertly organized and absolutely up-to-date, this collection will instantly become the backbone of many courses across the Anglophone world and is certain to be cited for years to come.  (Barry Shank)The editors have enlisted a diverse cadre of contributors in terms of gender, profession, or stage in their academic careers, making for a refreshing reading experience when approaching the work straight through. Highly recommended.  (V.J. Novara, University of Maryland)

About the Author

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University. He has written and edited over books including Popular Music and Youth Culture, Music, Style and Aging and Music Scenes (co-edited with Richard A. Peterson). He is a faculty fellow of the Yale Centre for Cultural Sociology, an international research fellow of the Finnish Youth Research Network, a founding member of the Consortium for Youth, Generations and Culture, and a founding member of the Regional Music Research Group.Steve Waksman is Professor of Music and American Studies at Smith College, Massachusetts, USA. His works include the books Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience (Harvard University Press, 1999), and This Ain’t the Summer of Love: Conflict and Crossover in Heavy Metal and Punk (University of California Press, 2009), the latter of which was awarded the 2010 Woody Guthrie Award for best scholarly book on popular music by the US chapter of the International Association for the Study of Popular Music. With Reebee Garofalo he co-authored the sixth edition of Rockin’ Out: Popular Music in the U.S.A. (Pearson, 2013). His essays have appeared in Guitar Cultures, The Cambridge Companion to the Guitar, Listen Again: A Momentary History of Pop, and Metal Rules the Globe: Heavy Metal Music Around the World. Currently he is researching a book on the cultural history of live music and performance in the US, tentatively titled Live Music in America: A History, 1850–2000.

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